SUArt Galleries: January 16 - March 13, 2020
Black Subjects in Modern Media Photography: Works from the George R. Rinhart Collection
This exhibition features 145 photographs from one of the largest private collections in the nation, offering a glimpse of the complexity and paradoxes of Black visual modernity. Pictures featuring varied themes—Cities, Politics, Work, Kinship, School, Religion, Leisure, Childhood, Colonies, and Portraits – welcome viewers to consider how people, places, and practices were presented as Black subjects to mass audiences via newspapers, magazines, documentary projects, libraries, and advertising. Curated by Joan Bryant, associate professor of African American Studies in the College of Arts and Sciences at Syracuse University. They raise questions such as how photographs composed Black subjects? How and to what extent did Black people present themselves as subjects in settings they chose to occupy, in venues they did not control, and in regimes that rendered them subject peoples? How do titles, captions, and frames limit or alter the focus and contexts of an image? Such inquiries engage a photograph’s capacity to convey meaning and invite new interpretations of what it meant to create, be, and see a modern Black subject.
Please note, this exhibition includes text and photographs that document inequality, racism, and violence. Experiencing such material might be challenging for some viewers. We present it with the aim of promoting historically-informed considerations of social relations and justice.
Masterpieces of Seventeenth-Century Dutch Painting from Regional Collections
It has been estimated that in The Netherlands over the course of the seventeenth–century approximately two million paintings were created. This astonishing number reflects the prosperity of the small country that was known at that time as the Dutch Republic. It may have been small compared to its European neighbors but the Dutch Republic was a major power owing to its strong economy and far-reaching mercantile activities. Needless to say, in this prosperous atmosphere painting flourished thanks to sizeable numbers of talented masters, many of whom specialized in the rendition of specific subject matter. Dutch painters portrayed their surrounding world in landscapes, portraits, still-life, and genre paintings (scenes of daily life) and they are still acclaimed today for having done so. Indeed, the ability of their seemingly unassuming yet celebrated pictures to evoke daily existence has led to the recognition of seventeenth-century painting as a true Golden Age of Dutch art. However, like their European counterparts, Dutch masters just as often focused their efforts on the depiction of subjects drawn from the Bible or from classical mythology.
This exhibition provides a small yet impressive sample of the fruits of their labors. Visitors to this show may not recognize all of the names of the painters whose creations are on display here. Nevertheless, their work provides a glimpse into the wide-ranging subject matter and uncompromisingly high quality of seventeenth-century Dutch art. The pictures on view here were drawn from the holdings of two private collections, the Syracuse University Art Galleries, and the following regional institutions: the Herbert F. Johnson Museum at Cornell University in Ithaca, NY; the Sterling and Francine Clark Art Institute in Williamstown, MA; The Frances Lehman Loeb Art Center at Vassar College in Poughkeepsie, NY; The Memorial Art Gallery of the University of Rochester in Rochester, NY; The Lorenzo State Historic Site in Cazenovia, NY; and The Regina Quick Center for the Arts at St. Bonaventure University in Allegany, NY. Collectively, these paintings pay testimony to the rich holdings of Dutch art, and European art in general, at institutions and in private collections all within a few hours’ drive from Syracuse.
This exhibition is curated by Wayne Franits, Distinguished Professor of Art History in the College of Arts and Sciences at Syracuse University, in conjunction with his Fall 2018 seminar, Graduate Research Methods and Scholarly Writing. Through in-depth research and careful analysis, graduate students Sheridan Bishoff, Natasha Bishop, Emily Dugan, Elisabeth Genter, and Monica Quinones-Rivera studied the pictures on display in terms of how they contribute to our understanding of the function, purpose, and broader context of art making in the Dutch Republic.
Making History, Justifying Conquest: Depictions of Native Americans in American Book Company Textbooks
As the USA rose in world power in the late nineteenth and early twentieth centuries, a government-led emphasis emerged in promoting a national history in which the conquest of Native peoples was justified. The American Book Company, one of the largest textbook publishers of the time, played a vital role in this process, producing many textbooks that contained illustrated histories featuring Native peoples. A vast audience of impressionable, young minds encountered these textbooks which rely on images mythologizing White heroism and conveying Native savagery and primitivism through scenes such as Daniel Carter Beard’s The Perils and Pleasures of the Wilderness—Daniel Boone, circa 1900. These books reflected and shaped widespread rhetoric of Euro-American superiority, which sought to justify the colonization of Native lands and the conquest of Native peoples. This exhibition deconstructs the versions of history and Native peoples presented by the illustrations through four prominent themes found in ABC publications: contact, the construction of history, assimilation and violence, and the vanishing Indian. To further explain the different views, quotes from Native artists, writers, and scholars are included in each section. The authoritative, educational messages communicated in the American Book Company textbooks ensured a lasting legacy for dominant narratives of American history that still marginalize Native peoples today. However, by calling attention to these images and placing them in a more accurate context, this exhibition asks us to consider how images are used and misused to construct historical narratives.
This exhibition is curated by Julia Jessen, Syracuse University G’20 in Museum Studies and Art History.
People of a Darker Hue
Palitz Gallery: October 23, 2019 - January 30, 2020
Kamikaze Curiosity: Louisa Chase Prints
Painter and printmaker Louisa Chase’73 (1951-2016) was engaged in a lifelong expedition to try and capture external images of an internal state. A productive and experimental printmaker, Chase worked with the who’s who of publishers and workshops; and was included in the foremost contemporary print exhibitions and publications of the period. The selected works illustrate the evolution of the Chase’s distinct visual vocabulary and adeptness in the medium, giving insight into the artist’s enduring exploration, as she described, as a ‘kamikaze curiosity.’